The
Sounds of these Words 1990 4 minutes
Commisioned as
part of Television Interventions a Fields & Frames Production for
Channel 4 Television
"Many strands
unite in The Sounds of These Words, 1990, a piece made - and
shown - for tv broadcast as another kind of 'intervention', but which
demands repeated viewing. Its portrait head is 'a speaking likeness'
in the realist tradition, but streams of text and sampled sound are
used to digitally rescore the typographic revolution of the early
modernists, from Marinetti to Cage and concept art, for the age of
audiovisual technology and semiotics. The facts that the speaker
is audibly a Scot gives the work a precise location and context (it
was made for the Glasgow Festival of that year by an artist long
resident in Scotland). The fact that the speaker is a woman is also
central to the meaning of the video, splitting the logic of the male
maker's gaze and passing the work into the diverse and gendered community
of viewers who
are its audience." - Al Rees
"The
series of TV Interventions, 19:4:90, was a different matter all together.
Inspired by David Hall's 7 TV Pieces of 1971, SP came up with the
idea of making short works to celebrate Glasgow as Europe's Cultural
Capital in 1990. In the same way as the TV Pieces appeared on Scottish
Television in 1971, these would crop up within the stream of programming
and be repeated as many times as possible. Channel 4 seemed the obvious
place. Although Jeremy Isaacs had left for the delights of Covent
Garden, Mike Bolland, whom he had appointed originally as commissioning
editor for youth, now held high position. I had worked with Mike
whilst at the BBC and knew that he was still a bit of a renegade.
The fact that he was also Scottish helped no doubt. We were greatly
encouraged when Mike agreed to the principles of the idea and the
commission went ahead. Unfortunately Mike left soon after and the
project was taken over by Waldemar Januszczak, the arts commissioning
editor. Whilst the individual works received no interference, Waldemar
insisted that the series be introduced overall and each work prefaced
by a graphic to be used for all the Glasgow celebration programmes.
Imagine our glee when Waldemar's introduction 'fell' off the air
and had to be re-scheduled.
The Sounds
of These Words was SP's four minute intervention. For this
new work SP used another TV convention - the talking head - one
of the most ubiquitous images on television. Here some of the statements
made by the woman are displayed on the screen as text which is
then animated and manipulated. An extreme close-up of the mouth
speaking is slowed down, almost to a stop, and then speeded up
to a fast rate so that the appreciation of the lips forming the
words is heightened. The play between the spoken word, the animated
text and the act of speaking are brought together with an assured
and telling touch. The English language is capable of great subtlety
and we have many and various way of expressing what we wish to
say compared with other languages. We measure our words carefully
not always just to be truthful (or not) but to shape them according
to how we think they may be received. For me The Sounds of These
Words brings these questions into sharp focus." - Anna
Ridley